His creative partnership with Julia Donaldson has led to some of the best loved bedtime stories of modern times.
Can you imagine how much poorer children’s literature (and children’s lives) would be without the likes of The Gruffalo, Stick Man and Room on the Broom?
The pair have sold 48 million books and counting and Axel Scheffler has also brought countless other stories to life, as well as created his own successful series, Pip and Posy .
So it was rather fitting that he won the inaugural Illustrator of the Year honour at the British Book Awards 2018 this week – and his acceptance speech made us even bigger fans than we already were.
The German-born illustrator took the opportunity to thank his three publishers, Julia and the parents and children who have grown up with his books, plus the judges who chose him. Then he continued…
“I also accept it with a heavy heart and maybe even a slightly bitter feeling – it feels like a consolation prize. Or even a farewell gift. I know that this is not the place for long speeches, but as you are all gathered here, I can’t pretend it’s business as usual. I’ll take only a few minutes, and then the party can go on.
“It’s just ten months until ‘Freedom Day’ – next March – and I – and my fellow EU citizens, many working in the UK book industry – are still living in uncertainty. We have, so far, no guarantee that we can still live and work here in the future. In a worst-case scenario, I might not be allowed to stay here by the time my next book with Julia Donaldson is launched.
“Michael Morpurgo wrote movingly, ‘My uncles fought for peace, not for Brexit’. He wrote that Britain doesn’t really like the rest of Europe. And he’s right. That hurts and it makes me angry every day.
“The UK has been my home for 36 years. There would have been no Gruffalo without the EU facilitating my study here. And, even if I had, somehow, studied in the UK, I would have had to leave after my studies ended in 1985. So there would never have ben the successful Anglo-German joint venture Donaldson-Scheffler.
“I know that my contribution is acknowledged here tonight, and, once again, I am grateful. But I would like to mention another person who came from Germany under completely different circumstances who is here tonight: my friend, Judith Kerr. Here, in this room, you have a refugee from the Nazis and a peace-time EU immigrant giving something for the families and the economy of the UK.
“After the Brexit vote it feels, despite our contribution, as if this country is saying, ‘It was all a mistake! We don’t really want you after all.’ A Brexiteer would, of course, say, ‘Of course we want them when they make money for us.’ But how can you gauge the future contribution of a young girl, as Judith was when she came here, or a 25 year-old student, as I was.
“It makes me sad, and I worry when I think of a post-Brexit future for the UK families, especially the children, who are growing up with our books. What went wrong? What did they miss, the parents and grandparents who were reading Room on the Broom with its message of the importance of solidarity, partnership, friendship and kindness? The book wasn’t called No Room on the Broom.
“So beware, Brexit Britain – if you have no friends in a hostile environment – the dragons may come and get you.”
I just hope that Axel continues making his books with their messages of friendship and inclusiveness, so that Baby Bookworm’s generation are wiser than the ones who have gone before.